about vartaphalaks...

the ubiquitous vartaphalaks which dot the older parts of pune city in hundreds, represent a fascinating case of public spaces which become sites of articulation of different kinds of agendas and identities, in an urban context. vartaphalaks generally serve as visual markers of the collective that exists in the precincts of that notice board. this could be local branches of political parties, youth collectives, residential collectives, auto rickshaw drivers’ unions and so on. the various symbols and imagery that is inscribed in and around these spaces and the content and the rhetoric of the matter written on vartaphalaks make for a public space extremely rich in visual content.

spaces around vartaphalak

spaces around vartaphalak
kumthekar road, sadashiv peth
this is a typical space as defined by a vartaphalak. this message was written a day after the civic election results were declared, expounding on the topic of 'kartavya': It is but natural to be enthused by victory and be disappointed by defeat. However our tradition tells us that more important than victory or defeat is our duty

spaces around vartaphalaks

spaces around vartaphalaks
tiranga young circle vartaphalak, ghorpade peth

Friday, June 22, 2007

Post # 4 contd...Urus at the Durgah


This was a special day for Siddi Shah Moula Durgah. It was the occasion of the Urus and Sandal Sharif in the honour of the pir. There was great hustle and bustle around the entire space when I had landed there a day before the festival. The entire Siddi Shah Moula Durgah committee was busy running around making arrangements. On the day of the Urus, the place had been transformed completely. Green flags, mandap decoration lined the roads. The small durgah was also elaborately decorated with flowers , a new metal ghumat was affixed atop the cement structure to give it an authentic durgah look. Massive loudspeakers were stacked up on one side of the road, in readiness to blare out qwaalis at deafening decibels. Children played frenziedly and my presence there with a camera made their frenzy climb a notch higher.

As the prayers began to be recited by the Moulana, some women (including Shahid’s proud mother, sister and aunt) joined me to watch the ceremony from outside. The 30 minute long prayer was followed by an absolutely mesmerizing performance by the dhol-tasha (drums) party specially invited to play for this occasion.

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